randian | 燃点

Edouard Malingue Gallery (Hong Kong) is pleased to present the second edition of ‘Film Screening’, a summer programme initiated in 2017 focusing on moving image. >> Read more

Doomsday prophecies have emerged since ancient times, from the Book of Revelation of the Bible, to the Millennium Crisis, to the 2012 Mayan Apocalypse. The end of days seems imminent, yet it never comes. What is the purpose of the doomsday prophecy — to serve as a warning to the world or as a means […] >> Read more

The Man Who Never Threw Anything Away borrows its title from an installation of the same name in Ilya Kabakov’s Ten Characters (1988). >> Read more

Section 39_Index XXXVII: Traboulsi stems from Walid Raad's interest and research into AAA's Ha Bik Chuen Archive. During his 2014 residency at AAA, Raad was introduced to the work of Ha Bik Chuen. Raad immediately realised Ha's affinity to one of his fictional collaborators, Suha Traboulsi. >> Read more

Hive Center for Contemporary Art is pleased to announce the opening of "The Moving Images: Liu Guoqiang Solo Exhibition" >> Read more

The second phase of a long-term project that proposes (historical) re-readings of artists’ moving image from Hong Kong, China and the UK... >> Read more

Till now, “Gas Station” has been for 6 years from 2008. This project aims to build a platform giving full play to artists’ creation potential. >> Read more

On June 28, the Shanghai scene turned out for warm canapés and skimpy glasses of Freixinet and gossiped while the legions of lingdaos appeared on the stage to welcome us to the Suzhou Creek Art Gallery. >> Read more

(中文) 无可否认，新冠疫情对世界的影响将会在未来相当一段时间内持续，艺术家和所有人一样难免不受到波及。我们可以在哪些历史中寻找参照，或者今天的事件又会如何影响未来？或许每个人的答案都不尽相同。这次展览邀请的作品也不会提供标准答案，然而无论影像或是绘画，具象或者抽象，其线索在于，都是艺术家在对自身所处环境或面对某个事件审视之后的表达与呈现。 >> Read more

对于“性别的暴力”的审视，总是在未进入真正讨论之时已经陷入一种无法讨论的境地——任何试图对性别产生作用的评述，经由身体和文化的建构，都会反作用于评论者自身，成为一种自诘式话语的变体。 >> Read more